Dr. Alicja Pawluczuk is a multidisciplinary artist-scholar whose practice functions as a site of disruption at the intersection of digital [in]equity, gendered pain, and "hysterical" knowledge-making. Moving beyond traditional academic boundaries, she utilizes experimental methodologies to map the socio-technical landscapes of medical misogyny and digital [in]visibility.

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Alicja is the architect of HYSTERA and the Endo Violence Collective (www.endoviolence.com), where her "Hysterical Artivism" serves as a visceral counter-narrative to the systemic silencing of the chronically ill body. Her work is a curated friction: it bridges the cold data of digital equity—developed through her leadership of the IN+ART Iterations at the University of Leeds—with the bloody, vibrant, and tactile realities of lived experience.

Her creative trajectory is anchored by a decade of digital community-building, beginning in 2014 with Digital Beez (digitalbeez.net). This longitudinal engagement with digital art and community management provides the structural foundation for her current explorations into "crip time," neuroqueer aesthetics, and the democratization of technological futures.

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Her work has been staged internationally, with high-impact exhibitions at NOTAGALLERY (Berlin), the Stockholm Museum of Women's History, and Berlin Art Week. These interventions have garnered critical acclaim in publications such as It’s Nice That, KALTBLUT Magazine, and Konbini Arts. Informed by her research for the United Nations University and the European Commission, Alicja’s practice-led inquiry insists that the marginalized body is not merely a subject of the digital gaze, but the primary laboratory for its transformation.